http://johnbreiner.com johnbreiner.com Wed, 28 Nov 2012 11:33:55 +0000 http://johnbreiner.com en http://johnbreiner.com/Video-Archive http://johnbreiner.com/following/johnbreiner.com/Video-Archive Wed, 28 Nov 2012 11:33:55 +0000 johnbreiner.com 4516529 Water St Mural This is video of me an the 303 collective painting a mural in Dumbo Brooklyn 2009 Mural on Water Street from Blue Barn Pictures, Inc. on Vimeo. Episode 1 Gotham FX -Winter 2012 I taged along with One9 to Visit our former studio mate's new spot in Jersey. With No real cameras or Mics I just used my Cannon elf and went with it. This was the first one i made and it was a reintroduction to filming and editing after a decade plus hiatus. Lost and Found For years now I've been developing habits of collecting different things. Other peoples photos are at the top of that list. Wether found at thrift store, street, or estate sale I've created a pretty large collection here are some highlights. In 2011 i was the guest Curator and Art director for Input Journal #3 Heres a short i did to promote for the book release. Water St Mural This is video of me an the 303 collective painting a mural in Dumbo Brooklyn 2009 Mural on Water Street from Blue Barn Pictures, Inc. on Vimeo. ... http://johnbreiner.com/Recent http://johnbreiner.com/following/johnbreiner.com/Recent Sun, 25 Nov 2012 16:37:39 +0000 johnbreiner.com 4497256 Fullscreen New Video / Interview April 2013 Thanks to Matt Weckel and the Wallbreakers for taking time to follow me around gathering surfaces and talking about my process. Presented to you in honor of my handmade ascetic in VHS format :) Enjoy!!! "Untitled Bird study" #3 2013 Acrylic ink on wood 13"x23" Inquire <img src="http://payload109.cargocollective.com/1/1/55703/4497256/Birdstudy.jpg" width="663" height="1400" width_o="663" height_o="1400" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/Birdstudy_o.jpg" data-mid="29635072" border="0" align="left"/> "Stop The Clock On This Cold Rock" 2013 Acrylic ink, spray paint and mixed on wooden panel. 3.5 ft x 4ft Inquire <img src="http://payload109.cargocollective.com/1/1/55703/4497256/coldrock_11_905.jpg" width="905" height="885" width_o="1400" height_o="1370" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/coldrock_11_o.jpg" data-mid="29043528" border="0" align="left"/> March 11th 2013.. After participating in 3 art fairs this past week i'm taking a breather out of town. Heres some footage i put together. Filmed January 2013- March 2013 My Painting / Installation at The (UN)Fair march 2013 52nd st NY NY <img src="http://payload109.cargocollective.com/1/1/55703/4497256/unfair instalation_905.jpg" width="905" height="323" width_o="2000" height_o="716" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/unfair instalation_o.jpg" data-mid="29570932" border="0" align="left"/> details <img src="http://payload109.cargocollective.com/1/1/55703/4497256/detail_905.jpg" width="905" height="197" width_o="1800" height_o="393" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/detail_o.jpg" data-mid="29571022" border="0" align="left"/> Welcome (Red) 2012 Acrylic ink and mixed on paper Inquire <img src="http://payload109.cargocollective.com/1/1/55703/4497256/welcome red_12_905.jpg" width="905" height="585" width_o="1400" height_o="905" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/welcome red_12_o.jpg" data-mid="29040267" border="0" align="left"/> "Untitled Rapture" 2012 Acrylic ink and mixed on assembled paper 20" x 24" (Sold) <img src="http://payload109.cargocollective.com/1/1/55703/4497256/Untitledrapture.jpg" width="670" height="916" width_o="1096" height_o="1500" src_o="http://payload109.cargocollective.com/1/1/55703/4497256/Untitledrapture_o.jpg" data-mid="23879641" border="0" align="left"/> "Flight Study" 2012 Collage on paper Inquire New Video / Interview April 2013 Thanks to Matt Weckel and the Wallbreakers for taking time to follow me around gathering surfaces and talking about my process.... http://johnbreiner.com/Fall-2012 http://johnbreiner.com/following/johnbreiner.com/Fall-2012 Wed, 26 Sep 2012 16:27:54 +0000 johnbreiner.com 4152310 Fullscreen "Untitled" (Moose Study) 2012 Acrylic ink and mixed on paper 23" x 19" (Sold) <img src="http://payload92.cargocollective.com/1/1/55703/4152310/moose_3_905.jpg" width="905" height="590" width_o="1400" height_o="913" src_o="http://payload92.cargocollective.com/1/1/55703/4152310/moose_3_o.jpg" data-mid="29042943" border="0" align="left"/> Mighty Tanaka presents: Sooner or Later...We All Make The Little Flowers Grow A solo show by John Breiner Life, death and rebirth, the constant cycle of existence. Yet, the turbulence of a shifting dynamic on the planet has caused a major disruption in the natural order of things. In this modern age, the Earth's climate is increasing, causing certain aspects of flora and fauna to gain a foothold on developed land and take advantage of recouping expanses of once settled areas within the great American landscape. Through chaotic economic conditions and unforeseen disasters, devastating setbacks have allowed once expelled elements to creep back into the neglected expanses, reaping havoc on our forgotten structures. This encroachment of the wild upon once settled habitat symbolizes mans weakening grip on world. Mighty Tanaka is excited to bring you our next solo show, Sooner or Later...We All Make The Little Flowers Grow, featuring the thought provoking artwork of John Breiner. His juxtaposing views of the planets continual reclamation exemplifies the significant impact of our actions within an ever changing terrain. Sooner or Later...We All Make The Little Flowers Grow suggests that humans have become an invasive species as the population has been growing with rapid acceleration. The natural world responds by enacting new systems to rapidly break down buildings and infrastucture. John Breiner references this to symbolize the decomposition of society and the spread of positivity to overcome all obstacles. John Breiner uses a mixed media approach to his work that includes elements of photo transfer, acrylic paint, spray paint and illustration upon found books and old sheets of paper. Through his beautiful interpretations, the work comes to life, inviting the viewer to visit to take a step closer and unravel the contrasting enigma. <img src="http://payload92.cargocollective.com/1/1/55703/4152310/sleepis the cousin.jpg" width="670" height="762" width_o="1054" height_o="1200" src_o="http://payload92.cargocollective.com/1/1/55703/4152310/sleepis the cousin_o.jpg" data-mid="23388237" border="0" align="left"/> "Sleep is the cousin of death" 2012 Acrylic ink and mixed on found surface 13" x 14.5" (Sold) <img src="http://payload92.cargocollective.com/1/1/55703/4152310/cant stop _905.jpg" width="905" height="407" width_o="1400" height_o="631" src_o="http://payload92.cargocollective.com/1/1/55703/4152310/cant stop _o.jpg" data-mid="29043048" border="0" align="left"/> "Cant Stop" 2008 Acrylic ink and mixed on book jacket 29"x 16" Inquire "Untitled" (Moose Study) 2012 Acrylic ink and mixed on paper 23" x 19" (Sold) Mighty Tanaka presents: Sooner or Later...We All Make The Little Flowers Grow A... http://johnbreiner.com/As-A-curator-1 http://johnbreiner.com/following/johnbreiner.com/As-A-curator-1 Fri, 13 Jul 2012 12:45:19 +0000 johnbreiner.com 3748575 Fullscreen <img src="http://payload72.cargocollective.com/1/1/55703/3748575/header_905.jpg" width="860" height="572" width_o="860" height_o="572" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/header_o.jpg" data-mid="29634473" border="0" align="left"/> ^visit my curator page ^ "Quanum Spectrum" group show Sept. 2010 <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061234622_cef13251f8_b.jpg" width="670" height="893" width_o="768" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061234622_cef13251f8_b_o.jpg" data-mid="19482051" border="0" align="left"/> MCLA 51, North Adams Massachusetts "Sometimes breaking the rules turns out to be the best way to learn. With graffiti artists, that often comes in the form of breaking the law. Artist John Breiner has curated a show for MCLA Gallery 51 at 51 Main St. that examines how young artists move past youthful indiscretions and retain that energy for gallery work. The show “Quantum Spectrum” opens on Thursday, Sept. 30, with a reception at 6 p.m. Even though Breiner has gathered a cast of street artists who spent much of their early years in the world of graffiti, his interest isn’t in what was, but rather, what happened after that. Breiner is fascinated by the transition and how each artist has dealt with it on his or her own creative terms. “This show tries to find out if there is something that these artists are doing that motivated them as much as graffiti did as teenagers,” Breiner said during an interview this week. “We all grew up with similar backgrounds, and the motivation when I was young to paint outside, to paint in public, was to wake up the next day and have a photo of what you did the night before. Unfortunately, when you get into the real world and make a living, you have to go easy on the stuff that will get you in trouble.” Breiner’s one promise to himself was not to create a graffiti show within the gallery. He just doesn’t think that works and believes that, within in a gallery setting, what has grown out of those early creative years and become part of mature art-making is far more interesting. “I was definitely out running around at 3 o’clock in the morning, seeing some unique things. It makes me who I am and therefore makes the art what it is,” he said. “It’s the same for a lot of these artists, and I feel like there is an edge to them and that their work is worth being shown. I know them personally, so I know the different types of things people are doing, and I want the show to be that instead of the obvious, what everyone would expect to see.” Interview by John Seven Full interview <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060693301_7ebafd7187_b.jpg" width="670" height="893" width_o="768" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060693301_7ebafd7187_b_o.jpg" data-mid="19481807" border="0" align="left"/> "Neon Maniacs" Andreis Costa <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060622139_5c7ebb5bf7_b.jpg" width="670" height="451" width_o="882" height_o="594" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060622139_5c7ebb5bf7_b_o.jpg" data-mid="19481957" border="0" align="left"/><img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060622325_46c2bf73dc_b.jpg" width="670" height="451" width_o="882" height_o="594" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060622325_46c2bf73dc_b_o.jpg" data-mid="19481960" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060623125_ffe01d015d_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060623125_ffe01d015d_b_o.jpg" data-mid="19481964" border="0" align="left"/> HellBent window installation <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060626457_4b6ef67eee_b.jpg" width="670" height="893" width_o="768" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060626457_4b6ef67eee_b_o.jpg" data-mid="19481983" border="0" align="left"/> The Kroger by Coby Kennedy <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060628021_be1d8cdc7e_b.jpg" width="670" height="893" width_o="768" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060628021_be1d8cdc7e_b_o.jpg" data-mid="19481988" border="0" align="left"/> works by Rich Browd <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061247356_e8a64cff76_b.jpg" width="455" height="1024" width_o="455" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061247356_e8a64cff76_b_o.jpg" data-mid="19482056" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061291066_96ca8a4f51_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061291066_96ca8a4f51_b_o.jpg" data-mid="19482058" border="0" align="left"/> Works by MR.Kiji <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060630975_b38156075c_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060630975_b38156075c_b_o.jpg" data-mid="19481996" border="0" align="left"/><img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060632449_22302a844d_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060632449_22302a844d_b_o.jpg" data-mid="19481999" border="0" align="left"/><img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060634477_eaab287c05_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060634477_eaab287c05_b_o.jpg" data-mid="19482006" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060638217_846b266861_b.jpg" width="670" height="796" width_o="861" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060638217_846b266861_b_o.jpg" data-mid="19482009" border="0" align="left"/> John Breiner <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060683905_fbe331fb1b_b.jpg" width="670" height="893" width_o="768" height_o="1024" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060683905_fbe331fb1b_b_o.jpg" data-mid="19482020" border="0" align="left"/> Works By J.Elias <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060682439_2ddfb8efd0_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060682439_2ddfb8efd0_b_o.jpg" data-mid="19482012" border="0" align="left"/><img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060682827_6c8145a8e6_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060682827_6c8145a8e6_b_o.jpg" data-mid="19482016" border="0" align="left"/><img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060683215_82612c62f2_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060683215_82612c62f2_b_o.jpg" data-mid="19482018" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060689215_e3745b4bce_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060689215_e3745b4bce_b_o.jpg" data-mid="19482036" border="0" align="left"/> Works by Rich McIsaac <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060690781_a47d2664cf_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060690781_a47d2664cf_b_o.jpg" data-mid="19482038" border="0" align="left"/> Works By Dizmology ( Miguel Ovalle) <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060691441_f84fb722a6_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060691441_f84fb722a6_b_o.jpg" data-mid="19482042" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061296692_90ba9b6154_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061296692_90ba9b6154_b_o.jpg" data-mid="19482066" border="0" align="left"/> Works by ONE 9 <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061298122_bd42bf2fd6_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061298122_bd42bf2fd6_b_o.jpg" data-mid="19482067" border="0" align="left"/> <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5061299602_8850ee3f20_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5061299602_8850ee3f20_b_o.jpg" data-mid="19482072" border="0" align="left"/> Dizmology gallery shot <img src="http://payload72.cargocollective.com/1/1/55703/3748575/5060692401_8f8f7ecd02_b.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload72.cargocollective.com/1/1/55703/3748575/5060692401_8f8f7ecd02_b_o.jpg" data-mid="19482046" border="0" align="left"/> Hellbent from outside ^visit my curator page ^ "Quanum Spectrum" group show Sept. 2010 MCLA 51, North Adams Massachusetts "Sometimes breaking the rules turns out to be the best... http://johnbreiner.com/2011 http://johnbreiner.com/following/johnbreiner.com/2011 Sat, 24 Sep 2011 22:06:33 +0000 johnbreiner.com 2051756 Fullscreen "A Bridge Of Impasse" Acrylic ink and mixed on Assembled paper 7.5 ft x 3.5 ft Inquire "A Bridge Of Impasse" Acrylic ink and mixed on Assembled paper 7.5 ft x 3.5 ft Inquire http://johnbreiner.com/Art-Director-Artist-INPUT-3 http://johnbreiner.com/following/johnbreiner.com/Art-Director-Artist-INPUT-3 Wed, 10 Aug 2011 15:35:25 +0000 johnbreiner.com 1845634 Fullscreen I was recently asked to Curate & Art direct / Design the current Issue Of INPUT Journal # 3. INPUT is put out Twice a Year By Founder and Co Curator Renee Vara, This issue was The "Pink Iguana Issue" and it Featured The Work of: Soner On, Rich Browd, Pooneh Maghazehe, Sakura Maku, Kiji McCafferty, Garrison Buxton, Dominick Rapone, Andreis Costa, Max Greis, Taras Hrabowsky, Dagmara Genda and John Breiner. Some Background: The Pink Iguana Technology is rapidly changing the material form of the book and its ecosystem. Visual information is now consumed through divergent e-species and i-species: handheld phones, portable devices, iPads, eReaders, tweets, and blogs. The form of the book is near extinction as it is subjected to extreme Darwinian conditions. Furthermore, the “art” and “artist” book is under particular duress as it is distributed via a threatened environment – the art and architecture book store. The Pink Iguana, a species previously thought to exist only in Galapagos Island folklore, was recently discovered by Gabriele Gentile and a team of biologists; and it serves as a metaphor for the art book. INPUT#3 asks a community of 12 emerging artists to contemplate the Pink Iguana as they consider the art book as an evolving and adapting medium of artistic engagement. Along with Design i did several new illustrations for the project.. <img src="http://payload.cargocollective.com/1/1/55703/1845634/cover.jpg" width="670" height="283" width_o="2048" height_o="867" src_o="http://payload.cargocollective.com/1/1/55703/1845634/cover_o.jpg" data-mid="9121532" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/55703/1845634/inside.jpg" width="670" height="286" width_o="2048" height_o="874" src_o="http://payload.cargocollective.com/1/1/55703/1845634/inside_o.jpg" data-mid="9121636" border="0" align="left"/> (as well this is an oldie) <img src="http://payload.cargocollective.com/1/1/55703/1845634/back.jpg" width="670" height="285" width_o="2048" height_o="874" src_o="http://payload.cargocollective.com/1/1/55703/1845634/back_o.jpg" data-mid="9121781" border="0" align="left"/> If your interested in Purchasing a copy ( Limited Signed and Numbered Edition of 100) Please visit Inputjournal Full issue online here INPUT # 3 Commercial We Celebrated the release of the issue at the Big Screen Plaza located at the Eventi Hotel ( 6th Avenue between 29th and 30th st in Manhattan. The night featured A DVD slide slow of the Art in the book plus some additional images Shown live on a 30 ft HD screen. Heres a look at the night. <img src="http://payload.cargocollective.com/1/1/55703/1845634/1.jpg" width="670" height="502" width_o="1029" height_o="772" src_o="http://payload.cargocollective.com/1/1/55703/1845634/1_o.jpg" data-mid="9122842" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/2.jpg" width="670" height="444" width_o="1029" height_o="683" src_o="http://payload.cargocollective.com/1/1/55703/1845634/2_o.jpg" data-mid="9122870" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/3.jpg" width="670" height="444" width_o="1029" height_o="683" src_o="http://payload.cargocollective.com/1/1/55703/1845634/3_o.jpg" data-mid="9122889" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/4.jpg" width="670" height="502" width_o="1029" height_o="772" src_o="http://payload.cargocollective.com/1/1/55703/1845634/4_o.jpg" data-mid="9122898" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/7.jpg" width="670" height="502" width_o="1029" height_o="772" src_o="http://payload.cargocollective.com/1/1/55703/1845634/7_o.jpg" data-mid="9123003" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/8.jpg" width="670" height="502" width_o="1029" height_o="772" src_o="http://payload.cargocollective.com/1/1/55703/1845634/8_o.jpg" data-mid="9123009" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/66.jpg" width="670" height="893" width_o="1029" height_o="1372" src_o="http://payload.cargocollective.com/1/1/55703/1845634/66_o.jpg" data-mid="9123024" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/55.jpg" width="670" height="893" width_o="1029" height_o="1372" src_o="http://payload.cargocollective.com/1/1/55703/1845634/55_o.jpg" data-mid="9123028" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/9.jpg" width="670" height="502" width_o="1029" height_o="772" src_o="http://payload.cargocollective.com/1/1/55703/1845634/9_o.jpg" data-mid="9123076" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/10.jpg" width="670" height="444" width_o="1029" height_o="683" src_o="http://payload.cargocollective.com/1/1/55703/1845634/10_o.jpg" data-mid="9123090" border="0" align="left"/><img src="http://payload.cargocollective.com/1/1/55703/1845634/11.jpg" width="670" height="444" width_o="1029" height_o="683" src_o="http://payload.cargocollective.com/1/1/55703/1845634/11_o.jpg" data-mid="9123135" border="0" align="left"/> More images at My Blog<img src="http://payload.cargocollective.com/1/1/55703/1845634/13.jpg" width="670" height="1009" width_o="683" height_o="1029" src_o="http://payload.cargocollective.com/1/1/55703/1845634/13_o.jpg" data-mid="9123418" border="0" align="left"/> I was recently asked to Curate & Art direct / Design the current Issue Of INPUT Journal # 3. INPUT is put out Twice a Year By Founder and Co Curator Renee... http://johnbreiner.com/Walls http://johnbreiner.com/following/johnbreiner.com/Walls Sun, 03 Apr 2011 11:50:25 +0000 johnbreiner.com 1256408 Fullscreen Mural by 303 collective ( John Breiner, C.A.M, Demon202, Tron) Dumbo Brooklyn <img src="http://payload.cargocollective.com/1/1/55703/1256408/atemp22.jpg" width="670" height="118" width_o="1600" height_o="282" src_o="http://payload.cargocollective.com/1/1/55703/1256408/atemp22_o.jpg" data-mid="8387173" border="0" align="left"/> Mural on Water Street from Blue Barn Pictures, Inc. on Vimeo. ***plus some video links on the wall.video link <img src="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418659_6939359.jpg" width="604" height="453" width_o="604" height_o="453" src_o="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418659_6939359_o.jpg" data-mid="10440562" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418630_302569.jpg" width="453" height="604" width_o="453" height_o="604" src_o="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418630_302569_o.jpg" data-mid="10440557" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418632_2348535.jpg" width="604" height="453" width_o="604" height_o="453" src_o="http://payload.cargocollective.com/1/1/55703/1256408/n672822096_2418632_2348535_o.jpg" data-mid="10440559" border="0" align="left"/> Still Shot from the Music Video "You" by Evidence ft. DJ Premier <img src="http://payload.cargocollective.com/1/1/55703/1256408/Picture 3.png" width="670" height="446" width_o="1440" height_o="960" src_o="http://payload.cargocollective.com/1/1/55703/1256408/Picture 3_o.png" data-mid="9785730" border="0" align="left"/> Mural that appeared in "The Cold Vein" by Cannibal OX cd cover..By Me And Taras November 2000 Queens NY <img src="http://payload.cargocollective.com/1/1/55703/1256408/ox.jpg" width="670" height="413" width_o="1599" height_o="988" src_o="http://payload.cargocollective.com/1/1/55703/1256408/ox_o.jpg" data-mid="6075336" border="0" align="left"/> "Count Your Sheep while you sleep you sleep" 48 Morgan Ave Bushwick Bk painted w / Taras Hrabowsky summer 2001.. still there.. <img src="http://payload.cargocollective.com/1/1/55703/1256408/48 morgan.jpg" width="670" height="182" width_o="1500" height_o="408" src_o="http://payload.cargocollective.com/1/1/55703/1256408/48 morgan_o.jpg" data-mid="6075338" border="0" align="left"/> Mural by 303 collective ( John Breiner, C.A.M, Demon202, Tron) Dumbo Brooklyn Mural on Water Street from Blue Barn Pictures, Inc. on Vimeo. ***plus some video... http://johnbreiner.com/Portraits http://johnbreiner.com/following/johnbreiner.com/Portraits Fri, 25 Feb 2011 14:25:59 +0000 johnbreiner.com 1104305 Fullscreen "Madlib" 2005 Acrylic ink on paper (sold) <img src="http://payload.cargocollective.com/1/1/55703/1104305/madlib.jpg" width="670" height="804" width_o="916" height_o="1100" src_o="http://payload.cargocollective.com/1/1/55703/1104305/madlib_o.jpg" data-mid="5302245" border="0" align="left"/> "Thelonious" 2004 Acrylic ink on paper 6" x 8.5" Inquire "Madlib" 2005 Acrylic ink on paper (sold) "Thelonious" 2004 Acrylic ink on paper 6" x 8.5" Inquire http://johnbreiner.com/Past-Work-2002-2007 http://johnbreiner.com/following/johnbreiner.com/Past-Work-2002-2007 Thu, 03 Feb 2011 09:28:05 +0000 johnbreiner.com 1014150 Fullscreen "Trail of An Octo (Self Portrait) 2007 Acrylic ink and mixed on book jackets (Sold) <img src="http://payload.cargocollective.com/1/1/55703/1014150/Trail Of An Octopus Self Portrait_905.jpg" width="905" height="483" width_o="1400" height_o="748" src_o="http://payload.cargocollective.com/1/1/55703/1014150/Trail Of An Octopus Self Portrait_o.jpg" data-mid="29061068" border="0" align="left"/> "Trail of an Elephant w Octo" 2007 Acrylic ink on metal 22”x 24” Inquire "Trail of An Octo (Self Portrait) 2007 Acrylic ink and mixed on book jackets (Sold) "Trail of an Elephant w Octo" 2007 Acrylic ink on metal 22”x 24” Inquire http://johnbreiner.com/Books http://johnbreiner.com/following/johnbreiner.com/Books Tue, 01 Feb 2011 16:16:07 +0000 johnbreiner.com 1006621 Work on books: 2002 - 2013 Originally sparked after reading the book Fahrenheit 451 I started to work on books in 2002. Over the years a onetime project has turned into an addiction. Aside from the joy of finding and collecting discarded books, I feel as if we've become a creative team. First Attracted by their surfaces where light, water and time all provide marks of inspiration in me. I've gone further. I've become aware (books & I) are now competing with modern media, technology, and the disappearance of the handmade tradition. It's quite an uphill battle, and im not sure whos winning. I tend to work on the end pages, where people look for the summary of the book. There’s no width of pages to scare anyone away an obviously a pictures worth a thousand words. People are busy these days and in an age of information overload I want to make my ideas accessible so I updated a format that’s conveyed information for thousands of years. Now they tell my story.. Fullscreen <img src="http://payload.cargocollective.com/1/1/55703/1006621/F451PHOT2.jpg" width="670" height="452" width_o="900" height_o="608" src_o="http://payload.cargocollective.com/1/1/55703/1006621/F451PHOT2_o.jpg" data-mid="5024293" border="0" align="left"/> (The inception of the books, ) "The Cold North Show" P.P.O.W Gallery Soho NYC 2003 <img src="http://payload.cargocollective.com/1/1/55703/1006621/F451Photo1 master.jpg" width="670" height="452" width_o="1729" height_o="1167" src_o="http://payload.cargocollective.com/1/1/55703/1006621/F451Photo1 master_o.jpg" data-mid="5301689" border="0" align="left"/> “Planets Getting Small” 2008 Acrylic ink on book 20.5” x 13” Inquire Work on books: 2002 - 2013 Originally sparked after reading the book Fahrenheit 451 I started to work on books in 2002. Over the years a onetime project has...